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影片信息
- 状态：HD中字
- 主演：萨姆·德·格拉斯 Francelia Billington 埃里克·冯·施特罗海姆 Fay Holderness Richard Cumming
- 导演：埃里克·冯·施特罗海姆
- 年份：1919
- 地区：美国
- 类型：剧情片
- 语言：英语
- 更新：2025-07-21 11:16
- 简介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The Americ..
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Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per send a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct parison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how uld it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not rrespond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per send, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American pies of the film derive from this shortened re-release version, a py of which Universal donated to the Museum of Modern Art in 1941. Aording to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This rmation casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the py is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are ncerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large p of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the disvery that the Austrian version ntains shots that are missing in the American one - shotsuntershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge nstitutes the oldest and most pletely preserved material of the film.
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